Kshudhit Pashan
In every work of art, whether it is two or three -dimensional, line has an important role. A work gains its definition - in terms of volume, space, even its mass – from lines. In art, both primitive and modern, artists have extensively used lines to achieve their intended interpretation. I remember British artist Richard Long using his foot to make lines in the Saharan desert while he was travelling, or even Serra and Goldsworthy, among others, who gave lots of importance to lines. Contrary to conventional definition, lines are not merely restricted to simple delineations on paper, but extend its significance to every part of life, whether practical or philosophical.
I do not want to elaborate on the definition of lines through this show. I am curating Prof Mahendra Pandy sir’s show "Kshudit Pashan" out of my deep sense of admiration for his unique ability to make lines respond to myriad surfaces. His lines are independent of any institutional definition or theoretical technique. While moving from one surface to the other, be it paper, or stone or wood or any another surface, Pandya sir’s lines lend his own signature to his creations.
His lines are sensitive, and at the same time inquisitive. They are also expressive, giving a sense of volume and space as characteristics to his creative output. When Pandya Sir’s draw a line from one corner to the other of any medium, he feels the grains in those uneven surfaces. It is kind of a landscapic journey. His dynamic lines express lot of energy to realize his potential in his works and I am hopeful that the younger generation will learn to explore and admire this unique ability of Pandya sir.
Prof Mahendra Pandya sir is one of our legendary figures in contemporary art in India. The range and depth of his skill is felt in his exploration and experimentation with every conceivable medium – be it paper, stone or wood, and the incessant flow of creativity manifested in his tremendous artistic output. His creativity has the force and free flow of a wild river- incessant and abundant. In fact, we were lucky to have thousands of his drawings to select from for this show, from among which, "Khudito Pashan" will showcase only 70 drawings and a few of his sculptures.
I am grateful to Pandya sir for allowing me to curate his show. I have learnt a lot from him and his continuous dedication to art and our Fine Arts faculty. I have indulged in elaborate conversations with him at his place, where we have shared views on political and social phenomenon, and which have also given me access to his biographical details.
I want to thank Prof Mahendra Pandya sir, Pareshbhai and all my well-wishers and good friends, without whose support this show would not have been possible.
Once, I remember Pandya sir saying, "I am like wild grass."